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dissertation title: form and dysfunction: modernism at the limits of precision. publications: peer- reviewed journal articles: “ gilding the negative: man ray and the narsissism of form. ” visualities, modernism/ modernity print +. forthcoming spring. " introduction: elemental modernism. " co- authored with séan richardson. marcel duchamp man ray, ferdinand léger hans richter. the great modernists of the early 20th century went ahead and made a film. a work of surrealism that keeps its tongue firmly in cheek, dreams that money can buy is about a guy who can sell people dreams out of this dark apartment. hilarity and trippy sequences ensue. beth gersh- nešić: dr. grossman the ( in) visibility of racial difference, in which you reveal the previously unknown identity of the sitter for picasso’ s seated woman against yellow , man ray, you recently published an exciting article entitled “ unmasking adrienne fidelin: picasso, cycle 1 ( ap), , pink ii, ” in modernism/ modernity vol 5 aka portrait of a woman.
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man ray | lee miller: partners in surrealism is an intimate exhibition. circumscribed in both scale and subject, it is in turn satisfying and disturbing for the keyhole access and insights it offers into the life and art of two of european surrealism’ s notable american exponents during their brief, fecund, and often tempestuous creative partnership and love affair.
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martin included or. even worse, this exhibit is as dryly academic as the footnotes to a doctoral dissertation.